Quilter Aviator Mach 3

A 200-watt tube combo weighs 60–80 lbs, costs $2,000+, gives you one sound, and needs new tubes every couple of years. The Aviator Mach 3 Combo delivers 200 watts through a Celestion Copperback 12" at 20 pounds — with two channels, twelve voices, built-in reverb and tremolo, and zero maintenance. Carry it in one hand. Set it down. Play every gig you'll ever have.

Two fully independent channels — each with six voices that reach deep into the history of vintage amplifiers. Set up Channel 1 for sparkling Fender cleans and Channel 2 for cranked Marshall crunch. Footswitch between them mid-song. Or flip the selector to center and run both channels simultaneously — layering two voices into something no single amp has ever done. Two inputs mean you can even plug in two instruments and switch between them on the fly.

The Celestion Copperback is a 250-watt 12" speaker purpose-matched to the Mach 3's power section. It handles everything the amp can throw at it — clean headroom at full power, smooth breakup at low volumes, and a balanced frequency response that doesn't favor one voice over another. This isn't a generic speaker bolted into a cabinet. It's an engineered pairing.

The Distortion Boost adds breakup before the Voice and EQ section — just like putting a drive pedal in front of the amp. Every voice gets a second personality. Clean shimmer becomes edge-of-breakup grit. Smooth warmth becomes full-bore roar. Twelve voices become twenty-four usable sounds without touching a pedalboard.

The Limiter control sets the ceiling on how far into overdrive the sound can go. Crank the gain for sustain, but keep the limiter dialed to prevent it from getting harsh. You ride the edge of breakup without falling over it. This is how session players build tone that sounds cranked on the record but stays controlled in the room.

Built-in Reverb and Tremolo — both footswitch defeatable — mean fewer pedals on your board. The 3-band active EQ with Bass, Mid, and Treble gives you real tonal sculpting, not passive roll-offs.

Here's what separates the Mach 3 on a professional stage: separate SPKR VOL and SIG OUT controls. Set your SIG OUT level with your sound engineer once, and it stays locked — then use SPKR VOL to adjust your on-stage monitor level without changing the front-of-house feed. No more "turn down" arguments. No more inconsistent mixes.

FX Loop for your pedalboard. Cab Sim for direct recording. Headphone output via SIG OUT for silent practice. Add an extension speaker via the 4-ohm jack and the amp splits power between both cabinets automatically. The head is removable from the combo if you ever want to pair it with a different cab. Universal voltage runs on any power grid on earth.

Dust cover.