Peter Green’s Albatross’ harmonically rich cleans. Clapton’s overdriven woman tone blues. Allman Brothers glass slide or fretted melodic harmonies. Gilmour’s style of soaring overdrive-fuzz all while you are on a deserted island paradise.
This started out as a tribute to the 70s, and later 80s & 90s Dallas BC109C Fuzz Face pedals. Then some 80s/90s magic vintage custom tweaks to increase glassy guitar volume cleanup [I’ve never seen it before elsewhere but ironically did similar mods myself 20 yrs ago], and then added the CHASE TONE versatility and expanded controls so you can fine-tune your own magic!
Box & papers.
